
via content.usatoday.com
By Chris Cummins, Special Correspondent for Pop Candy
Back in the 1990s, zines were everywhere.
Fueled by their creators' DIY passion and, typically, a lack of funds, these independent publications had enthusiasts everywhere spouting off on topics ranging from Star Wars to obscure bands.
For zine lovers, one of the best places to get their fix of new reading material was at Tower Records. The fondly remembered music chain was famous for supporting zines and their cash-strapped writers by selling issues on consignment and/or offering distribution deals that allowed the messages of these fledgling periodicals to spread from the copy machines that birthed them all the way across the globe.
It was at my local Tower store that I first was introduced to the wonderful world of zines. Specifically, Nicole Garrison's Morri'Zine. As a Smiths and Morrissey-loving teen, finding an issue of this amongst Rolling Stone and Spin was something of a revelation. Like the best zines, the Morri'Zine felt like it existed for me and me alone.
In the pre-Internet era it was the definitive source for news about new Moz releases, concert reviews and the sort of awkward poetry that only teens can write. It was a glorious thing that helped me develop a love for zines that continues to this day.
Garrison began work on the publication when she was 15 and stopped when she was 22. During this time, Morrissey experienced a rush of popularity in the U.S. that rivaled the success he experienced with The Smiths. This exciting time was captured for posterity in each issue of the Morri'Zine.
Now 41, married and living is Southern California, Nicole goes by Nikki Fowler. She recently was kind enough to answer some of my questions about the zine, the appeal of Morrissey, and whether or not her love for all things Moz has continued into adulthood. To anyone who ever lovingly read through her "publication for Morrissey and Smiths fans," her insights are invaluable. Click here for full interview.